all time. This place sucks. If we weren't listening to Ryan Adams
Santa Cruz 2007 then I would shoot myself.
A portion of the proceeds from “Tribute To” will go to benefit the Woodstock Farm Animal Sanctuary.For more info please visit www.yimyames.com
01 Don't Do It 5:10
02 The Shape I'm In 4:08
03 It Makes No Difference 7:23
04 The Weight 4:44
05 King Harvest 3:45
06 Twilight 3:29
07 Ophelia 3:36
08 Tears Of Rage 5:58
09 Forbidden Fruit 6:11
10 This Wheel's On Fire 3:51
11 The Night They Drove Old Dixie Down 4:04
12 The Genetic Method 3:57
13 Chest Fever 4:23
14 Up On Cripple Creek 5:59
15 W.S. Walcott Medicine Show 4:03
Download - The Band - Complete King Biscuit Flower Hour - Washington DC - 1976-7-17
Travel with me to the recent past-- yesterday, to be exact. Way back then, we published a story titled "Conor Oberst/Jim James/M. Ward Album Finally Coming Out?" Well, that question has been answered. And the answer is yes (thank god).
The Monsters of Folk supergroup-- which also features producer/Bright Eyes member Mike Mogis-- release their self-titled debut on September 22 via Shangri-La in North America, Rough Trade in Europe, Spunk in Australia, and P-Vine in Japan. A press release says so and everything.
According to the release, "all four members play every instrument on the album" and the music ranges from "road-worn" to "intimate" to "sun-soaked." The sometime tourmates recorded the LP in Malibu, California and Omaha, Nebraska over a two-year period between other projects. Track titles include "Whole Lotta Losin'" (Zeppelin tribute?), "Temazcal" (named after an ancient sauna), and "Losin Yo Head" ("Yo"!). The rest of the song names are below:
In the spring of 1977, former Moby Grape vocalist and guitarist Jerry Miller was working with various combinations of people and Young found his way on stage one night with Miller (whom he knew from his Fillmore days) and a singer/songwriter named Jeff Blackburn (who co-wrote "My My Hey Hey (Out of the Blue)". Young began hanging out and jamming with Blackburn in the days that followed with Blackburn on rhythm guitar, Bob Mosley on bass, and Johnny Craviotta on drums. Craviotto had previously played on tracks for Arlo Guthrie, Ry Cooder, and Buffy Sainte-Marie. They decided to call themselves the Ducks and within weeks every duck call within miles had been purchased. 
The local entertainment tabloid got wind something was up and had a conversation with the group. They announced they were forming a band called the Ducks, that would play local clubs for cover charges of less than $3. Further Young was moving to Santa Cruz and would stay "as long as it remains cool."  This exchange was later written up as a front-page story in a local newspaper. He also said they could play "Mr. Soul" better than Buffalo Springfield. By mid-June the Ducks began to play, usually two sets a night, three or four times a week. Sometimes there was enough warning that they'd be listed in the Good Times. The Ducks became a secret, local institution.
The set list for their shows was very democratic. All four could sing and had material, so they took turns throughout the sets in a strict manner. Highlights included "Mr. Soul", a Blackburn tune entitled "Silver Wings", a Moby Grape tune of Mosley's entitled "Gypsy Wedding", and hard Chuck Berry-esque rock and roll sessions sung by Johnny Craviotto. "Comes a Time" was played as a country rocker before turning up in its acoustic studio authenticity. They also did "Homegrown", a cover of Ian and Sylvia's "Four Strong Winds" with Young singing lead, and an instrumental guitar showcase entitled "Windward Passage". Early in the summer "Windward Passage" was done in a kind of psychedelic/surf manner, it grew into a more traditional Young guitar piece as the weeks went on. Young played "Old Black" which sported a Santa Cruz sticker that summer. He usually wore a plaid shirt with drawstring pants that were high fashion at the time. In the smaller clubs the band would shake hands with the crowd at the end. Even in larger venues like the Catalyst which had a maximum capacity of 1,000 people, people would often bump into Young and company waiting in line at the bar between sets. Young was spending some of his big star money that summer on the band, by midsummer they were doing exceptional projections of animations overhead and large mobile recording vans were usually spotted in the alley during most gigs.
They played every venue in town, from the showcase Catalyst, to the very cozy Crossroads, to down-to-earth spots like the Veteran's Hall. They were not without some rock and roll cliché drama, Craviotto seemed kind of thirsty some evenings, and he passed out behind the drum kit during intermission at a show. Near the end of the summer they played two larger shows, one at the Civic Auditorium that had the current edition of Moby Grape, which the benefit turned out to be their final performance with Young. And an outdoor gig at Cabrillo Community College opening for Elvin Bishop.
This is the only known complete recording of this group. It is an audience recording but the quality is very good, very very listenable.
Thank you everyone involved in getting this in circulation, thanks Dime dudes.
The Ducks are: